Avatar - an amazing experience

Sunday, December 20, 2009 3 Comments »
I was too excited about this movie after reading plenty of good reviews on DH and elsewhere. I was even regularly checking IMDB to see how well the movie was faring over the last 3-4 days. At the moment, Avatar is rated 8.9 on IMDB!! Thats like amaaazing. And thanks to my friends (Haseeb and Shashi), I watched the movie today @ Urvashi theater. The movie is insanely awesome, visually spellbinding and will definitely take movie-making to the next level! The plot is rather simple but very much enjoyable. The graphics is stunning. Never before has anyone seen such high quality special effects before! Even the expressions on the faces of Na'vi people (humanoid natives of Pandora) are so insanely real-life-ish that its just mind-blowing! Directory James Cameron has done a great job in creating a whole new imaginary World of Pandora - which is as fantastic and amusing as the Middle Earth of Lord of the Rings, if not better.

If you are a fan of the Sci-fi genre or if you have really enjoyed watching movies such as the Lord of the rings trilogy, you will fall in love with Avatar. However, I highly recommend watching the movie at a good 3D theater. In my case, Urvashi in Bangalore wasn't really up to the mark with the 3D thingy (at least when compared to my previous 3D experience) but I expect the multiplexes to be better equipped in Bangalore. Before you go, watch the official trailor and the video intro to Pandora.

Different types of drivers

Sunday, September 27, 2009 5 Comments »
A brief compilation of different types of drivers of Indian roads (in no particular order of anything):

1. The snakers: Primarily characterized by their ability to snake around on our roads in the most efficient manner. The snakers get their pleasure from criss-crossing peacefully driving noble folks and transcending them into a state of sudden panic. Next time you get criss-crossed, there is a high probability that its a snaker (there could be others too as described below). When snakers get involved in accidents, its usually with other snakers... due to both trying to cross each other at the same time.

2. The honksters: Honksters are the ones who have an obsessive compulsion towards pressing horns in their vehicles. This makes them the most annoying on city roads. Honksters usually use the horn as an indicator for everything. Over time, they have also evolved different types of conventions in the pattern of sounds they create. Like fingerprints differentiate one human from another, the sound patterns created by honksters differentiate them from each other. Honksters are usually the most active at traffic signals. When the traffic signal turns green, all honksters engage in simultaneous orgy of honking, apparently to indicate the drivers in front to move forward, which in fact, is just an excuse to indulge their habit.

3. The road racers: Most road racers are aged between 15 and 30. They are avid fans of Formula 1 and racing video games. They get their kicks by such things as: driving at absurdly high speeds irrespective of the condition of the roads, disengaging the silencers of their bikes or cars, painting the exterior of their vehicles in extravagant fashions. Oh yes, the 2-wheel road racers are fond of wheelies. The most adept among them usually do wheelies with a pillon rider at their back. They are also averse to wearing helmets.

4. The Autorickshawwallas: An Autorickshawwalla is the highest embodiment of an Indian driver. They usually drive 3-wheeled vehicles and wear an uniform. That clearly makes them outstanding. An autorickshawwalla may simultaneously contain within him - a snaker, an honkster and a road racer or at least be capable of switching from one form to another when desired. Not having this quality disqualifies a driver from being considered as part of this elite category.

If you think you do not belong to any of the above categories then ask yourself if you are truly "driving Indian roads"?

My first open source contribution

Friday, May 08, 2009 3 Comments »
Last quarter, in my 20% time I worked on an open source project - "Google Web Toolkit bindings for Google Ajax Language API". Click here to understand what Google API libraries for Google Web Toolkit are. Among the listed libraries, I contributed Language Library (consisting of Translation and Transliteration API bindings). This was released on May 7th and you can see the blog post on GWT blog here.

Though not a big project, this project helped me make my first open source contribution (yay!). I also learned a lot of new things that I would not have as part of my day work.


xkcd on perception

Tuesday, April 14, 2009 2 Comments »

I have often wondered in the past if everybody really sees the same colors (and a few people I know have independently wondered the same!). I stumbled upon the below xkcd comic during a random browsing session that brought back some old memories :) (click on the image below if you cannot view it properly)



Kōans

Saturday, February 07, 2009 3 Comments »
I am reading a book "Godel, Escher, Bach: an Eternal Golden Braid" also popular by the abbreviation GEB written by Douglas R. Hofstadter. It is described by author as "A metaphorical fugue on minds and machines in the spirit of Lewis Carroll." Its hard to explain what this book is about in few words. You can always check wikipedia for that.

One of the topics in GEB is about Zen Buddhism. I didn't have any idea about this form of Buddhism but when i read about it in this book, it fascinated me. Zen is a form of Mahayana Buddhism founded by Bodhidharma. Zen emphasizes experimental wisdom, as realized in the form of meditation (zazen) and in that light, de-emphasizes both theoretical knowledge and study of religious texts. The goal of Zen practices is to train the mind to transcend duality and attain a state of enlightenment.

Zen Buddhists may practice something known as kōan inquiry during their meditation. A kōan is a story, dialogue question, or statement in the history and lore of Zen Buddhism, generally containing aspects that are inaccessible to rational understanding, yet may be accessible to intuition. kōans are supposed to be "triggers" which do not contain enough information in themselves to impart enlightenment but possibly be sufficient to unlock the mechanisms inside one's mind that lead to enlightenment. The Zen attitude is that words and truth are incompatible, or at least that no words can capture the truth.

Most kōans do not make any sense to the rational, logical mind. Take this for example:

Hogen of Seiryo monastery was about to lecture before dinner when he noticed that the bamboo screen, lowered for meditation, had not been rolled up. He pointed to it. Two monks arose wordlessly from the audience and rolled it up. Hogen, observing the physical moment, said, "The state of the first monk is good, not that of the second."

A Zen master Mumon comments on the above kōan in his 13th century work called Mumonkan ("No-gate barrier"). Here is his commentary:

I want to ask you: which of those two monks gained and which lost? If any of you has one eye, he will see the failure on the teacher's part. However, I am not discussing gain and loss.

Mumon follows it with a poem:

When the screen is rolled up the great sky opens,
Yet the sky is not attuned to Zen.
It is best to forget the great sky
And to retire from every wind.


It may come as a rude shock for a person who wants to have an "understanding" of the kōan as the commentary and poem are equally opaque and irrational.

Here is another kōan:

A monk asked Nansen: "Is there a teaching no master ever taught before?"
Nansen said: "Yes, there is."
"What is it?" asked the monk.
Nansen replied: "It is not mind, it is not Buddha, it is not things."


Mumon's commentary:

Old Nansen gave away his treasure-words. He must have been greatly upset.

Mumon's poem:

Nansen was too kind and lost his treasure.
Truly, the words have no power,
Even though the mountain becomes the sea,
Words cannot open another's mind.


The poem makes a little more sense and seems to de-emphasize the power of words (and thereby it is a paradox as it talks about its own ineffectiveness). Paradox is quite characteristic of Zen. The essence of a kōan seems to be to break the mind of logic in pursuit of enlightenment. But we can never be sure as one of the basic tenets of Zen Buddhism is that there is no way to characterize what Zen is!

Here is another kōan and this is my favorite:

The student Doko came to a Zen master, and said: "I am seeking the truth. In what state of mind should I train myself, so as to find it?"
Said the master, "There is no mind, so you cannot put it in any state. There is no truth, so you cannot train yourself for it."
"If there is no mind to train, and no truth to find, why do you have these monks gather before you every day to study Zen and train themselves for this study?"
"But I haven't an inch of room here," said the master, "so how could the monks gather? I have no tongue, so how could I call them together or teach them?"
"Oh, how can you lie like this?" asked Doko.
"But if I have no tongue to talk to others, how can I lie to you?" asked the master.
Then Doko said sadly, "I cannot follow you. I cannot understand you."
"I cannot understand myself," said the master.


Only by stepping outside of logic, so the theory goes, can one make the leap to enlightenment!

After GEB introduced me to the fascinating world of Zen Buddhism and kōan practice, I did a bit of search on the web and dug up some funny kōans (to a rational, logical mind they are funny but the Zen Buddhists take them seriously perhaps):

kōan:

Student asks master: "Why did Bodhidharma come from India to China?". Master says: "The oak tree in the garden."

kōan: Joshu's Mu

Joshu (A.D. 778-897) was a famous Chinese Zen Master who lived in Joshu, the province from which he took his name. One day a troubled monk approached him, intending to ask the Master for guidance. A dog walked by. The monk asked Joshu, "Has that dog a Buddha-nature or not?" The monk had barely completed his question when Joshu shouted: "MU!"

kōan: No Beard

Wakuan complained when he saw a picture of bearded Bodhidharma, "Why hasn't that fellow a beard?"

kōan: Everything is Best

One day Banzan was walking through a market. He overheard a customer say to the butcher, "Give me the best piece of meat you have." "Everything in my shop is the best," replied the butcher. "You can not find any piece of meat that is not the best." At these words, Banzan was enlightened.

kōan: Manjusri Enters the Gate

One day as Manjusri stood outside the gate, the Buddha called to him, "Manjusri, Manjusri, why do you not enter?" Manjusri replied, "I do not see myself as outside. Why enter?"

kōan: Joshu washes the bowl

A monk told Joshu: `I have just entered the monastery. Please teach me.'
Joshu asked: `Have you eaten your rice porridge?'
The monk replied: `I have eaten.'
Joshu said: `Then you had better wash your bowl.'
At that moment the monk was enlightened.


kōan:

What is the sound of one hand clapping?

kōan:

One day Chao-chou fell down in the snow, and called out, "Help me up! Help me up!" A monk came and lay down beside him. Chao-chou got up and went away.

kōan:

A monk asked Tozan when he was weighing some flax, "What is Buddha?"
Tozan said: "This flax weighs three pounds."

Kumara-parvatha trek

Saturday, December 27, 2008 5 Comments »
I am back from an amazing weekend trek (Dec 20-21) to Kumara parvatha. Kumara parvatha is on the border between Dakshina kannada and Kodagu districts, standing 1712 meters above sea level (also known as Pushpagiri). It is a well-known trekking spot and every serious trekker from South India aspires to scale its heights. We ascended from the Somwarpet side on saturday, stayed overnight on top of KP and descended the following day from the Kukke side (13 km of a heck of a descent that almost ripped my legs off ;-). Overall, it was an unforgettable and an exhilarating experience. The beauty of the Western ghat ranges is just beyond words. Though I wanted to blog about this trek, my friend and a fellow trekker Srikanth has already taken care of it. Click here to read his post.

Here is a photo chronology of this incredible adventure (Click the pics to see enlarged versions):


The gang of 10: From left - Shreyas, Shreyas-2, Karthik, Goutham, Avinash, Rajesh, Srikanth, Balu, Kiran and photographer Srivatsan. This is on way to the Malalli falls at around 7:00 in the morning on Saturday.


Malalli falls as seen from the bottom. We had bath here and did quite a bit of (mis)adventure.


At Ponappa's house. This is after we got back from the falls, had breakfast and now ready to leave for the trek.


Near the check post. We walked 5 km here from Ponappa's house and we were exhausted even before we started trekking!


The hanging bridge just after the checkpost. We filled all our water bottles in the stream below.


Finally, we started on our way to scale the mighty Kumara parvatha.


View from the spot known as "view point" midway in our trek.


One of the three steep 60 degree inclined rocks we climbed.




We reached the top at around 4 in the evening and started building our nests!



The campfire we lit. Wasn't that powerful but did sustain us until 8:30 by which time we decided to sleep.


Around 6:00 in the morning. Sunrise as viewed from the top of KP. An awe inspiring sight.


Sunday morning: we started descending from the Kukke side. You can see the foot-path in the background disappear beyond the mountain.


At Bhattra mane. We had lunch here. I liked the simple foods and especially the butter milk.


After a grueling 13 km hike down, we reached Kukke!




The Kukke Subhramanya temple.

Movies I watched recently

Tuesday, December 09, 2008 4 Comments »
To start with, I am not a movie buff. Not very long ago, I used to watch even a hyped up movie only when it hit the TV screens a year or so after its release - that was if I coincidentally switched on the TV at the right time and was in a mood to watch ;-) But somehow, in the past few months things have changed dramatically - I am usually ending up watching a lot of new Bollywood movies pretty soon after their releases - mostly in theaters/multiplexes with my friends - sometimes as part of treats and sometimes just to subjugate boredom. The purpose of this post is not to give a review but to give a snippet of my opinion about these movies. I will try my best to keep it very short and to the point.

Dostana - A gay comedy movie where John Abraham and Abhishek Bachchan are not exactly gay but circumstances make them act that way. Most of the movie is rib tickling comedy with gay jokes and comedy-wrapped sentimental scenes. All in all, good movie to watch for some fun and entertainment.

1920 - A horror movie directed by Vikram Bhatt. A girl possessed by the ghost of her pichle janm ka ashish gets exorcised with Hanuman chalisa in the end. The plot, the story line, the screenplay were pretty intriguing. And most fascinating for me was Adah Sharma's antics as the possessed girl - quite scary stuff. I definitely recommend watching this one.

Yuvvraaj - Music was too good - it was from A R Rehman after all. Everything else was far below average. Story was very mediocre. I cannot even comprehend what was the point of such a story, so I won't even begin to talk about it. Location was very cinematic - somewhere in Austria. All in all, a pretty lame story line with some solid music and songs but still not a worthy entertainer.

Dasvidaniya - Here the lead actor, after coming to know about his apparently incurable stomach cancer, goes on to fulfill his dreams - buying new car, foreign trip, saying I love you to a childhood crush (who is now having 2 kids), etc. Nice movie to watch. Very good direction. Sentiments tied up in a manner that doesn't make you cry but subtly makes you feel the pain of the guy about to die.

Oye lucky, lucky Oye! - A movie about a thief who, since childhood does nothing but rob other people's stuff. Badly written story line, bad direction, lack of any intellectual or sentimental content that can keep you interested - I can go on. Overall the movie was quite stupid and I don't recommend it.